An appetite for Goulash

Just got back yesterday from a couple of nights inBudapest. What a place!

I went to shoot a little film about Goulash, trying to find the essence of the dish, to find out how they cook it. It often happens that an English-language cookbook version of a meal will be wildly different from any authentic local version. And I certainly found this to be true. Without giving anything away, I promise you that the six bowls I was filmed eating, were significantly different. Similar, obviously, but clearly different to varying degrees.

I had three different bowls of Goulash in the morning – breakfast, elevenses and ten-twenty-fives, all upstairs at the Central Market. There’s a row of little food stalls all selling simple, brilliant, inexpensive food. You take your bowl of soup and sit perched at a bar on a stool overlooking the market. Lunch was goulash in a tiny neighbourhood restaurant, crowded with local pensioners getting an inexpensive hot meal, or working-men eating huge platefuls of stewed meat, cabbage and potatoes. Tea-time, and I was the scruffy odd-one-out eating goulash in The New York Café; an utterly extravagant froth of renaissance and baroque gilded plasterwork with marble columns and floors. Cherubs frolicked across the ceiling as I ate. Dinner was Goulash at the director’s favouriteBudapesthangout – The Calgary Bar. It’s a tiny place, the walls crammed with objects and curios. Viky, the owner, former model and reputed beauty-queen, had made the goulash herself. Just as we were about to start filming, a piano player she had arranged walked in. Completely unexpected by us, and straight out of a casting director’s dream, he played everything we asked for – from Hungarian Folk to Tom Jones. It’s just that kind of place.

I haven’t got a recipe for goulash yet. I went with the intention of trying out as many as I could in one day. Seeing what I could learn from them, glean some little special details, taste them, and form an opinion. Looking back now, they all had something to teach me. That’s how good food-writing starts, I hope. I’ll begin cooking and writing early next week, assuming I have the appetite for another bowlful by then.

Cookbooks vs youtube

A friend came round just after Christmas with his wife and children – a chance to tidy up the last of the turkey, exchange little presents, that sort of thing. We got chatting about food, and he told me about how just recently his sixteen year old son had wanted some custard of an evening – apparently he is quite a fan of Bird’s Custard Powder (who isn’t). They had run out, and the shops were all closed, so he decided to make it himself, from eggs, milk, sugar and vanilla. Now I have to admit I thought this was turning into one of those stories, that goes “so we pulled out your book Five Fat Hens, read through the recipe and cooked the best custard ever.” I assure you all food-writers live for such moments.

“So,” he continued “we just went into the kitchen with his iphone, looked up a recipe-demo for custard on YouTube and got on with it.” I tried not to let my bottom lip start trembling, I may have just got away with it, just. I’m not sure. I asked the son if it had been better than Bird’s?

“Yes it was,” but he thought it “quite a hassle”. Would he make it again?

“Yes.” Now he’d done it once he knew the recipe right? “Well, err, no – but no problem – I’ll just look it up on YouTube next time I need it.”

And that is the problem. If I read something in a book, then it gets stuck in my mind – I don’t know how, but it does. If I see it on the television, YouTube, telephone, whatever, then I don’t really remember it. It is no more a long-term memory than the recipes I saw some telly-chef knocking-up last year.

Books; they’re good to learn stuff from.